Loes Verstappen pursues an interdisciplinary graphic design practice between
Brussels and Rotterdam. Joint efforts result in printed, digital and audible outcomes.
Graphic design co-exists with literature, translation and radio. Contact her here.

We cough up broiled quotes in oozy flux, a mauve joke, 2020. Letter.
Kunstinstituut Melly, Cecilia Vicuna, a retrospective exhibition, 2019. Educational worksheet.
     Folder, 297 x 420 mm. Offset.
Jacob Dwyer, O Fortuna, 2020. Published by Flat i. 110 x 160 mm, 144 pp. Offset.
     Photo's (middle and bottom) Marlike Marks.
Loes Verstappen, Affecting Knowledge: Severo Sarduy's 'Simulation' and the potential
     of the affective dimension for theory, 2019. Thesis MA Media Studies, Cultural Analysis:
     Literature and Theory. Universiteit Leiden. 210 x 297 mm. 68 pp. Laser print.
     Photo's Marlike Marks.
Kunstinstituut Melly, Educational worksheets, Afra Eisma, Poke, Press, Squeeze, Clasp, 2021.
     Beatriz Santiago Muñoz, The Navel of the Dream, 2022. Pablo Castañeda, Border
     Autofictions, 2022. Ane Graff, The wound in its entanglements, 2022.
Thomasine Barnekow, Rendez-Vous, 2016. Publication. 170 x 240 mm, 176 pp. Offset.
Body of Art / Annemijn Rijk, logo, 2021
Hedwig Houben, For the Hand, the Eye, It and the Foot, 2017.
     Published by Flat i. 169,5 x 240 mm, 112 pp. Inside offset, cover laser print, handbound.
     Photo's (middle and bottom) Marlike Marks.
Michiel Huijben, House with Doors and Windows, 2014. 150 x 240 mm, 40 pp.
     Inside risograph, cover screenprint, handbound.
Kunststichting Sint-Oedenrode, Terugwandelen door het Roois Landschap, 2020.
     165 x 230 mm, 200 pp. Offset.
Body of Art / Annemijn Rijk, logo, 2021
Kunststichting Sint-Oedenrode, Terugwandelen door het Roois Landschap, 2020.
PrintRoom, Printroom's Pick from the New York Art Book Fair, 2015.
     folder. 148 mm x 210 mm. Risograph.
Metropolis M, 2013-2016 (75B). Magazine. 220 x 293 mm, 96 pg. Offset druk.
     Photo (middle) Marlike Marks.